The EOS 5D Mark IV has slightly larger 3.2in LCD screen to the EOS 6D Mark II’s 3in display, and its resolution is higher at 1.62million dots too.
With regards to LCD screens, each camera has one up on the other. Meanwhile, the EOS 6D Mark II's viewfinder has coverage of 98%, so you do miss a touch of the peripheries. This means that what you see in the display is what you get in the final image. Their optical viewfinders provide the same 0.71x magnification, though the EOS 5D Mark IV's finder has 100% coverage. Pentaprism viewfinder with 0.71x magnification and 98% coverageīoth cameras impress here.
Canon EOS 6D Mark II: 3-inch Vari-angle LCD touchscreen with 1.04million dots.Pentaprism viewfinder with 0.71x magnification and 100% coverage Canon EOS 5D Mark IV: 3.2-inch fixed LCD touchscreen, 1.62million dots.So, while similar, the EOS 5D Mark IV appears to have the AF edge.īest Canon lenses Canon EOS 5D Mark IV vs EOS 6D Mark II: Viewfinder and LCD So, once again, the EOS 5D MK IV just edges ahead.īoth cameras make use of Canon's Dual Pixel CMOS AF system, which provides phase-detect AF from the main sensorĪ significant difference between the two cameras is that the 61-point array of the EOS 5D Mark IV covers a wider area of the frame than the EOS 6D Mark II's, making it more useful for focusing on off-centre subjects.īoth systems give an AF working range of EV -3 to 18, which mean they should focus well in poor lighting conditions. The EOS 5D Mark IV can shoot an infinite number of JPEGs or up to 30 Raw files (providing you're using a fast enough card), while the EOS 6D Mark II can fire away for up to 150 JPEGs or 21 Raw files. The 7fps continuous shooting mode of the EOS 5D Mark IV has a slight but negligible advantage over the EOS 6D Mark II's 6.5fps rate, but its in burst depth where the two differ more from each other. Overall, the EOS 5D Mark IV is on top here.Ĭanon EOS 5D Mark IV vs EOS 6D Mark II: Burst shooting
#5D MARK III VS 6D MARK II 1080P#
Regarding HDMI output, both are limited to 1080p out, so you won’t get the most out of the EOS 5D Mark IV 4K shooting when using external recorders.
Interface wise, both have a 3.5mm microphone socket and HDMI output, but the EOS 5D Mark IV is the only one to feature a headphone jack.
#5D MARK III VS 6D MARK II 720P#
Similarly, it's possible to shoot slow-motion 720p videos with the EOS 5D Mark IV at 120fps, while the EOS 6D Mark II does not offer slow-motion recording at all. The EOS 5D Mark IV (pictured above) features both mic and headphone ports, while the EOS 6D Mark II only offers the former Even so, the EOS 6D Mark II has no 4K video at all, so the EOS 5D Mark IV still has the advantage here. It comes with a 1.6x sensor crop (that’s Canon’s APS-C format), which is not best suited for wide-angle shooting but potentially useful for telephoto video recording. There are, however, a few caveats with the EOS 5D Mark IV’s 4K video recording.
#5D MARK III VS 6D MARK II FULL#
The video specs of the two are quite different, with the EOS 5D Mark IV boasting 4K DCI recording at up to 30fps and the EOS 6D Mark II able to shoot Full HD (1080p) videos at frame rates up to 60fps.ĤK DCI recording is in a slightly wider aspect than in the regular 4K UHD resolution of 3860 x 2180 pixels, which results in a 17:9 aspect ratio, rather than 16:9.
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